| BOOK # | BOOK TITLE | ||
|---|---|---|---|
| 200.01 | PACK, GRETA | JEWELRY MAKING THE LOST WAX PROCESS | |
| 200.02 | MATTIELLO, ADALFO | WAX MODELING - THE EXTRUDING TECHNIQUE | |
| 200.03 | BOVIN, MURRAY | CENTRIFUGAL OR LOST WAX JEWELRY CASTING | |
| 200.04 | McCREIGHT, TIM | PRACTICAL CASTING, | |
| 200.05 | AMMEN, C. W. | LOST WAX INVESTMENT CASTING | |
| 200.06 | HOLLENBACK GEORGE M. | SCIENCE & TECHNIQUE OF THE CAST RESTORATION | |
| 200.07 | CHOATE, SHARR | CREATIVE CASTING | |
| 200.08 | WINSTON, BOB & GENA | CAST AWAY | |
| 200.09 | WALD,ROBERT | INTRODUCTION TO JEWELRY CASTING | |
| 200.10 | FEUSKY,BARBARA | LOST WAX STEAM CASTING | |
| 200.11 | AUSTIN, RICHARD D. | MODEL MAKING FOR JEWELRY CASTING | |
| 200.12 | SOPCAK JAMES E. | LOST WAX OR INVESTMENT CASTING | |
| 200.13 | EDWARDS, KEITH | LOST WAX CASTING OF JEWELRY | |
| 200.14 | STORY, MICKEY | CENTRIFUGAL CASTING AS A JEWELRY PROCESS | |
| 200.15 | KALLENBERG, LAWRENCE | MODELING IN WAX FOR JEWELRY AND SCULPTURE | |
| 200.16 | TSUYUKI, HIROSHI & OHBA | PRACTICAL WAX MODELING | |
| 200.17 | PIERCE, RUTH | CREATIVE WAX CARVING | |
| 200.18 | WILLIAM GARRISON | 3 BOOKLETS - BURN-OUT TECHNIQUES | |
| 200.18 | WILLIAM GARRISON | TECHNIQUES IN INVESTING | |
| 200.18 | WILLIAM GARRISON | TECHNIQUES IN JEWELRY & METAL CRAFTING | |
| 300.01 | BRAUN-FELDWEG, WILHELM | METAL DESIGN & TECHNIQUE | |
| 300.02 | WILCOX, DONALD J. | DESIGN IN JEWELRY (CIRCA 1970) | |
| 300.03 | BATES,KENNETH | BASIC DESIGN | |
| 300.04 | CHATT, ORVILLE K | DESIGN IS WHERE YOU FIND IT | |
| 300.05 | O'BRIEN, JAMES F. | DESIGN BY ACCIDENT | |
| 300.06 | WYKOFF, JERALD | YOU CAN MASTER JEWELRY DESIGN & CREATION | |
| 300.07 | BOTHWELL, DORR & FREY | NOTAN - THE DARK-LIGHT PRINCIPAL OF DESIGN | |
| 300.08 | EDWARDS, BETTY | DRAWING ON THE RIGHT SIDE OF YOUR BRAIN | |
| 300.09 | VON NEUMANN, ROBERT | DESIGN & CREATION OF JEWELRY | |
| 300.10 | MORTON, PHILIP | CONTEMPORARY JEWELRY (1970) | |
| 300.11 | SPRINTZEN, ALICE | JEWELRY BASIC DESIGNS & TECHNIQUE | |
| 300.12 | MERLACH, DONA Z | HOW TO CREATE YOUR OWN DESIGN | |
| 300.13 | HEW, JOY & P.K. THOMAJAN | DESIGNS & MOTIFS | |
| 300.14 | WOLCHONOK LOUIS | DESIGN FOR ARTISTS & CRAFTSMAN | |
| 300.15 | DOWNER, MARION | DISCOVERING DESIGN | |
| 300.16 | BERGLING, J. M. | ART, MONOGRAMS, & LETTERING | |
| 300.17 | WINTER, ALBERT A | PRACTICAL COURSE IN JEWELRY ENGRAVING | |
| 300.18 | MEEK, JAMES B. | THE ART OF ENGRAVING | |
| 300.19 | HORNUNG, CLARENCE P. | DESIGNS & DEVICES | |
| 300.20 | KINGSLEY, SUSAN | HYDRAULIC DIE FORMING FOR JEWELERS & METAL- | |
| 300.21 | BRAIN, CHARLES LEWTON | CHEAP THRILLS IN THE TOOL SHOP (WEALTH OF BENCH & STUDIO TRICKS) | |
| 300.22 | BRYNNER, IRENA | MODERN JEWELRY (1968) | |
| 300.23 | BLAUER, ETTAGALE | CONTEMPORARY JEWELRY DESIGNS (1991) | |
| 300.24 | HART,RUSSELL | PHOTOGRAPHING YOUR ARTWORK | |
| 300.25 | MAGIC CIRCLE CORP. | (24) JEWELRY LESSONS | |
| 300.26 | McCREIGHT, TIM | DESIGN LANGUAGE | |
| 300.27 | MOUREY, GABRIEL | ART NOUVEAU JEWELRY & FANS | |
| 300.28 | LEWTON-BRAIN, CHARLES | SMALL SCALE PHOTOGRAPHY | |
| 300.29 | BOBBY HANSSON | THE FINE ART OF THE TIN CAN | |
| 400.01 | ROTHENBERG, POLLY | METAL ENAMELING | |
| 400.02 | PACK GRETA | JEWELRY & ENAMELING | |
| 400.03 | BATES, KENNETH, F. | THE ENAMELIST | |
| 400.04 | BATES, KENNETH, F. | ENAMELING -PRINCIPLES & PRACTICE | |
| 400.05 | UNTRACHT, OPPI | ENAMELING ON METAL | |
| 400.06 | HARPER, WILLAM | STEP BY STEP ENAMELING | |
| 400.07 | ZECHLIN, KATHARINA | CREATIVE ENAMELING & JEWELRY MAKING | |
| 400.08 | LAROM,MARY | ENAMELING FOR FUN & PROFIT | |
| 400.09 | STROSAHL, PATRICK &JUDITH | MANUAL OF CLOISONNƒ & CHAMPLEVE' ENAMELING | |
| 400.10 | TAYLOR, LOUIE S. | COPPER ENAMELING | |
| 400.11 | SJOBERG, JAN & OVE | COPPER, SILVER AND ENAMEL | |
| 400.12 | HENSON, CATHERINE | HOW TO ENAMEL ON COPPER | |
| 400.13 | OTTEN, BERL | THE ART OF ENAMELING | |
| 400.14 | THOMPSON, THOMAS E. | ENAMELING ON COPPER & OTHER ENAMELS | |
| 400.15 | BURNS & OATES | HOMEMADE ENAMEL JEWELRY | |
| 400.16 | SEELER, MARGARET | THE ART OF ENAMELING | |
| 400.17 | UBAN, FELICIA & MITCHELL, LOUISE | CLOISONNƒ | |
| 400.18 | FEHER,CLARKE | THE TECHNIQUE OF ENAMELING | |
| 400.19 | MATTHEWS, GLENICE LESLEY | ENAMELS, ENAMELING, ENAMELISTS | |
| 400.20 | CONWAY, VALERIE | INTRODUCING ENAMELING | |
| 400.21 | CONNER, WENDY SIMPSON | THE BEST LITTLE BEADING BOOK | |
| 500.01 | WARBURTON, L. | ELECTROPLATING FOR THE AMATEUR | |
| 500.02 | AMERICAN SOC. FOR TESTING MATERIALS | SPECS & TOOLS FOR ELECTRO DEPOSITED METALLIC COATINGS | |
| 500.03 | ROGERS, THOMAS M. | PRACTICAL ELECTROPLATING COATINGS | |
| 600.01 | WOODING, ROBERT | DIAMOND SETTING (with tape) | |
| 600.02 | WOODING, ROBERT | BEAD SETTING DIAMONDS WITH PAVE' APPLICATION | |
| 600.03 | WOODING, ROBERT | CHANNEL SETTING DIAMONDS | |
| 600.04 | JACKSON, WILIAM | JEWELRY REPAIR | |
| 600.05 | HARDY, P- ALLEN | JEWELRY ENGRAVERS MANUAL | |
| 600.06 | JARVIS, CHARLES | JEWELRY MANUFACTURE & REPAIR | |
| 600.07 | WADA, TAKASHI | THE ART OF MARKING JEWELRY | |
| 600.08 | JOACHIM. E.E. | JEWELRY MAKING - STEP BY STEP | |
| 600.09 | BOWMAN, JOHN J. | JEWELRY ENGRAVERS MANUAL | |
| 600.10 | HARDY, R. ALLEN | JEWELRY REPAIR MANUAL | |
| 600.11 | BOVIN, MURRAY | SILVERSMITHING & ART METAL | |
| 600.12 | BOVIN, MURRAY | JEWELRY MAKING FOR SCHOOLS, TRADESMEN, CRAFTSMEN (THE CLASSIC TEXTBOOK) | |
| 600.13 | GENTILLE, THOMAS | STEP BY STEP JEWELRY | |
| 600.14 | HOLLANDER, HARRY | PLASTICS FOR JEWELRY | |
| 600.15 | ROCHE, NAN | THE CLAY | |
| 600.16 | HICKLING, JAMES | PRACTICAL JEWELRY REPAIR | |
| 600.17 | LENS, MARCIA | CHASING | |
| 600.18 | REVERE,ALAN | RING REPAIR, Professional Jewelery Repair Series | |
| 700.01 | STEAKLEY, DOUGLAS | HOLLOW WARE TECHNIQUES | |
| 700.02 | THOMAS, RICHARD | METALSMITHING | |
| 700.03 | McCREIGHT, TIM | COMPLETE METALSMITH | |
| 700.04 | PENLAND | JEWELRY MAKING | |
| 700.05 | FISCH, ARLENE M. | TEXTILE TECHNIQUES IN METAL | |
| 700.07 | FISCH, ARLENE M. | TEXTILE TECHNIQUES IN METAL (REVISED 1996) | |
| 700.06 | BRYNNER IRENE | JEWELRY AS AN ART FORM | |
| 700.07 | SEPPA, HEIKKI | FORM EMPHASIS FOR METALSMITHS | |
| 700.08 | McCREIGHT, TIM | METAL WORK FOR JEWELRY | |
| 700.09 | CHOATE, SHARR | CREATIVE GOLD AND SILVERSMITHING | |
| 700.10 | FRANK, LOIS E. | HAND WROUGHT JEWELRY | |
| 700.11 | MARYON,HERBERT | METAL WORK & ENAMELING | |
| 700.12 | WILSON, H. | SILVERWORK & JEWELRY | |
| 700.13 | ROSE & CIRINO | JEWELRY MAKING & DESIGN | |
| 700.14 | CHAMBERLAIN, MARCIA | METAL JEWELRY TECHNIQUES | |
| 700.15 | EDWARDS, ROD | TECHNIQUE OF JEWELRY | |
| 700.16 | UNTRACT,OPPI | METAL TECHNIQUES FOR CRAFTSMAN | |
| 700.17 | EVANS, CHUCK | JEWELRY - CONTEMPORARY DESIGN & TECHNIQUE | |
| 700.18 | CHARRON, SHIRLEY | MODERN PEWTER DESIGN & TECHNIQUES | |
| 700.19 | KAIN, JAY D. | CAST PEWTER JEWELRY | |
| 700.20 | UNTRACT,OPPI | JEWELRY CONCEPTS & TECHNOLOGY | |
| 700.21 | HULL & MURRELL | THE TECHNIQUES OF PEWTERSMITHING | |
| 700.22 | HAYES, MAGGIE | MAGGIE HAYES JEWELRY BOOK | |
| 700.23 | KRONQUIST, EMIL | METALWORK FOR CRAFTSMAN | |
| 700.24 | O'CONNOR, HAROLD | THE JEWELER'S BENCH REFERENCE | |
| 700.25 | O'CONNOR, HAROLD | DIRECTIONS IN GOLDSMITHING | |
| 700.26 | REVERE,ALAN | PROFESSIONAL GOLDSMITHING | |
| 700.27 | FINEGOLD & SEITZ | SILVERSMITHING | |
| 700.28 | SOLBERG, RAMONA | INVENTIVE JEWELRY MAKING | |
| 700.29 | WICKS, SYLVIA | JEWELRY MAKING MANUAL | |
| 700.30 | LIDSTONE, JOHN | BUILDING WITH WIRE | |
| 700.31 | 12 METALSMITHS | METALS TECHNIQUE | |
| 700.32 | MIDGETT, STEVE | MOKOME GANE IN THE SMALL WORKSHOP | |
| 700.33 | McGRATH, JINKS | ENCYCLOPEDIA OF JEWELRY MAKING TECHNIQUES | |
| 700.34 | WORKSHOP BY HARLAN BUTTS | JAPANESE ALLOYS/1992 WILDACRES | |
| 700.35 | WORKSHOP BY MARY ANN SCHERR | INSTANT ETCH 1992/ FLA GULF COAST ART CENTER | |
| 700.36 | STARK, JEAN/SMITH, JOSEPHINE | CLASSICAL LOOP-IN-LOOP CHAINS | |
| 700.37 | BASSMAN,THEDA | THE BEAUTY OF HOPI JEWELRY | |
| 700.38 | LaPLANTZ,DAVID | JEWELRY METALWORK #1 | |
| 700.39 | LaPLANTZ,DAVID | JEWELRY METALWORK #2 | |
| 700.40 | LEWTON-BRAIN,CHARLES | DEPLETION GILDING:AN HISTORICAL AND TECHNICAL INTRO | |
| 700.41 | LEWTON-BRAIN,CHARLES | GOLD AND SILVER SURFACE APPLICATIONS UNDER ENAMELS | |
| 700.42 | LEWTON-BRAIN,CHARLES | HINGES AND HINGE-BASED CATCHES FOR JEWELERS AND GOLDSMITHS | |
| 700.43 | LEWTON-BRAIN,CHARLES | FORMING USING METAL CHARACTERISTICS - FOLD FORMING INTRODUCTION | |
| 700.44 | LEWTON-BRAIN,CHARLES | PATINAS FOR SMALL STUDIOS | |
| 700.45 | LEWTON-BRAIN,CHARLES | GOLD SURFACE APPLICATIONS:A TECHNICAL REVIEW | |
| 700.46 | TIM MCCREIGHT | The Metalsmith's Book of BOXES & LOCKETS | |
| 800.01 | WOLBERG, LEWIS R. | MICRO ART | |
| 800.03 | TAIT, HUGH | JEWELRY - 7,000 YEARS | |
| 800.04 | MOLLER, HENRIK STEN | GRIEGST - THE WORK OF DANISH GOLDSMITH ARJE GRIEGST 1982 | |
| 800.05 | DAVAN, RUTH & FEINBERG, WILBURT | CRAFTS OF ISRAEL | |
| 800.06 | KUNZ, GEORGE F. | THE CURIOUS LORE OF PRECIOUS STONES | |
| 800.07 | RHODE ISLAND SCHOOL OF DESIGN | THE CLASSICAL COLLECTION (MUSEUM OF ART) | |
| 800.08 | LEWIS, DAVID | PRACTICAL GEM TESTING | |
| 800.09 | ABRAMS, HARRY, N. | MINERALS - NATURES FABULOUS JEWELS | |
| 800.10 | BRUTON, ERIC | DIAMONDS | |
| 800.11 | BLACK, J. ANDERSON | A HISTORY OF JEWELRY (FIVE THOUSAND YEARS) | |
| 800.12 | POUGH, FREDERICK | A FIELD GUIDE TO ROCKS & MINERALS | |
| 800.13 | SINKANKAS & MILLER | STANDARD CATALOG OF GEM VALUES | |
| 800.14 | GIA | DIAMONDS - FAMOUS, NOTABLE, & UNIQUE | |
| 800.15 | SOUKUP, EDWARD | FACET CUTTER'S HANDBOOK | |
| 800.16 | VARIOUS ORGANIZATIONS | THE JEWELER'S INFORMATION MANUAL FOR GEM- | |
| STONES, SYNTHETIC, IMITATION | |||
| 800.17 | HOFFMAN, DOUGLAS L | COMPREHENSIVE GEM DIAGRAMS | |
| 800.18 | FISHER, P. J. | THE SCIENCE OF GEMS | |
| 800.19 | AREM, JOEL E. | COLOR ENCYCLOPEDIA OF GEMSTONES | |
| 800.20 | VARGAS, GLENN & MARTHA | FACING FOR AMATEURS | |
| 800.21 | VARGAS, GLENN & MARTHA | DIAGRAMS FOR FACING | |
| 800.22 | SWEST INC. | THE TECHNIQUE OF DIAMOND & STONE SETTING | |
| 800.23 | QUICK & LEIPER | GEMCRAFT (HOW TO CUT & POLISH STONES) | |
| 800.24 | STATE MUSEUM OF THE MOSCOW KREMLIN | TREASURES OF THE CZARS | |
| 800.25 | THE MUSEUM OF ART & SCIENCES | A CENTURY OF JEWELRY & GEMS 1785 - 1885 (catalog of exhibit that was at Florida Gulf Coast Art Center) | |
| 800.26 | CONNOR/GILCREST/KARLEN/PERWIN/SPATT | THE ARTISTS FRIENDLY LEGAL GUIDE | |
| 800.27 | McCANN, PH.D.,MICHAEL | ARTISTS BEWARE | |
| 800.28 | McCANN, PH.D.,MICHAEL | HEALTH HAZARDS MANUAL | |
| 800.29 | CLARK, CUTTER, McCRANE | VENTILATION (GUIDE FOR ARTISTS & CRAFTSPEOPLE) | |
| 800.30 | LAPIDARY JOURNAL PRESS | THE LAPIDARY JOURNAL INDEX 1947-1991 | |
| 800.31 | KARLEN, TOMMY | THE ENCYCLOPEDIA OF BASIC CRAFT TECHNIQUES | |
| 800.32 | BENEDICT, NANCY & AL | A HANDBOOK OF GEMSTONES & JEWELRY | |
| 800.33 | ARMSTRONG,ROGER | WAX & CASTING | |
| 800.34 | KERVIN, JAMES | GLASS BEADMAKING | |
| 800.35 | McCREIGHT, TIM | CUSTOM KNIFEMAKING | |
| 800.36 | SINKANKAS, JOHN | VAN NOSTRAND'S STANDARD CATALOG OF GEMS | |
| PERIODICALS | |||
| (FOUR TO SIX ISSUES FOR ONE YEAR EQUALS ONE BOOK)(SPECIFY YEAR) | |||
| 900.01 | 1977 THRU 1996 (4 TO 6 ISSUES PER YEAR) | METALSMITH (FORMERLY GOLDSMITHS JOURNAL) | |
| MAGAZINES | |||
| (FOUR ISSUES FOR ONE YEAR EQUALS ONE BOOK) (SPECIFY YEAR) | |||
| 900.02 | JAN 1995 THRU CURRENT | LAPIDARY JOURNAL (MONTHLY) | |
| 900.03 | JAN 1994 THRU CURRENT | ORNAMENT MAGAZINE (FOUR ISSUES PER YEAR) | |
| 900.04 | 1993,1994,1998 ISSUES | GLASS ON METAL (6 ISSUES EQUALS ONE BOOK) |